.:MaPalE:. Café y mora
Coleccionista de postales.

Aquí, de todito BBQ:
{ Tildes, eñes, avis, jotapeges, tripledobleus y más para compartir }
A ritmo de Mapalé
.:MaPalE:. Café y mora
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n95gpcudwxea9, tienes un mensaje de mapaleolarte
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pornalert:

Yo quiero de esto!!

A esta hora sólo puede ser una “hot line”
pornalert:

Yo quiero de esto!!

A esta hora sólo puede ser una “hot line”
pornalert:

Yo quiero de esto!!

A esta hora sólo puede ser una “hot line”
pornalert:

Yo quiero de esto!!

A esta hora sólo puede ser una “hot line”
pornalert:

Yo quiero de esto!!

A esta hora sólo puede ser una “hot line”
pornalert:

Yo quiero de esto!!

A esta hora sólo puede ser una “hot line”
pornalert:

Yo quiero de esto!!

A esta hora sólo puede ser una “hot line”
pornalert:

Yo quiero de esto!!

A esta hora sólo puede ser una “hot line”
pornalert:

Yo quiero de esto!!

A esta hora sólo puede ser una “hot line”
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Fa fa fa.
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Journal / 16: I know you want it #blueredlines
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Journal / 16: segunda vuelta
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Journal / 15: olvidé publicar #filbo2014
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Journal / 14: olvidé dibujar
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❤️
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De los fotógrafos de a pie. Mayo, 1979.
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Fantasía Urbana.
Fantasía Urbana.
Fantasía Urbana.
Fantasía Urbana.
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I ❤️ @expocolectivo  (at Calle 26)
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Journal / 13: @expocolectivo ❤️
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Journal / 12: adulto contemporáneo
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VISIONS by Benoitp     VISIONS: Digitalisation of a certain mental space, building of a manifest reality, a symbolic system around my hyper simplified banal, framed and restructured to match the feelings I want to give out for all to see, that is to say the best of my authenticity.          VISIONS: when my eye/mind focus on somethings and take time to comtemplate, and all other disturbing things disapaire, this is what I try to show you with this serie, more close to painting than photography, maybe hyper real-realistic post-painting.    Visions project is housed in a renewal of some belief / barrier that I had in mind in relation to photography, it’s a drop in my old belief and prejudice. It is also an attempt to talk about the human without demonstrated directly, but through its architecture and the needs symbols boths artificial and natural  I see me more as a painter in this series , a hyper-photorealistic painter of personnal collection of visionairy documentary evidence about a altered state of conscienceness.  These serie are construc as a dialogue with my environement, more than a dialogue I see it like a dialectique between the real worl perceptive and my interpretation and feeling about this , or how my eye are programed to see.   Cause more i let’s me creating freely or under state of conscienceness altered, more and more my eye and perception flow in my photography art, more I see how my mind are regid, scientifique and cartesien, scary but It can became a terific tool to analyse my sourounding in another way and dimention to reinvent myself. Visions are the resulte of a new way to see, after 5 sucessfull years of artistic project about people ( see stranger project, etc) , I open the door of my perception and let’s me create with my immediate environement. But in a certain way I see these landscape more like a portrature as vertical framining, the way I try to show these vision are the same way I tray to make a emotive portrait.